For the 2019 exhibition Linked, the Halsey Institute commissioned a short film on artist Colin Quashie. Madeleine Mitchell introduces it here. READ WHOLE POST [+]
For her 2019 exhibition, Over There and Here is Me and Me, Katrina Andry used for research a report called The State of Racial Disparities in Charleston County, South Carolina 2000-2015, written by Dr. Stacey Patton for the Race and Social Justice Initiative at the College of Charleston. Anna Crowley profiles it here. READ WHOLE POST [+]
For her 2019 exhibition Cry Joy Park–Gardens of Dark and Light, Jennifer Wen Ma created a series of community dinners called An Invitation to the Feast, held in the exhibition. Madelayne Abel writes about them here. READ WHOLE POST [+]
This week’s art activity of 10/10—Reflections on a Decade of Exhibitions is the last in this series. We’re taking a closer look at Cry Joy Park—Gardens of Dark and Light, a solo exhibition by artist Jennifer Wen Ma, which examines issues of social justice and the difficulty of reconciling opposing forces in our society. The balance of light and dark reminds us that we need both utopian and dystopian qualities in society. For this simple at-home project, we encourage readers to learn more about the balance of light and dark ! READ WHOLE POST [+]
On Thursday, August 13, we hosted a virtual studio visit with Marc Trujillo on Facebook Live. Check out this blog post to view a recording of it in its entirety. READ WHOLE POST [+]
An entirely virtual exhibition, 10/10–Reflections on a Decade of Exhibitions celebrates ten years of exhibitions, partnerships, and programs produced in the Halsey Institute of Contemporary Art's current gallery space inside the Marion and Wayland H. Cato Jr. Center for the Arts at the College of Charleston. We are spending summer 2020 taking a look back on the adventurous artists we’ve hosted and projects we’ve produced in that time. Over ten weeks, we will be taking a deep dive into each year, featuring blog posts on exhibitions, interviews with artists, and other explorations into the Halsey Institute’s past. READ WHOLE POST [+]
For the 2018 exhibitions The Carrion Cheer, A Faunistic Tragedy and The Image Hunter: On the Trail of John James Audubon, the Halsey Institute worked with Art360 to create virtual versions online. Learn more about them here, as introduced by Madelayne Abel. READ WHOLE POST [+]
For his 2018 exhibition La Historia Recordada, the Halsey Institute commissioned a short film on artist Roberto Diago and his work. Madeleine Mitchell introduces it here. READ WHOLE POST [+]
For the exhibition Southbound: Photographs of and about the New South, the Halsey Institute created a project-specific microsite at www.southboundproject.org. Anna Crowley writes about the different features of the project and microsite. READ WHOLE POST [+]
For Week 9 of 10/10-Reflections on a Decade of Exhibitions we are reviewing the year 2018. One of the exhibits from this year was Southbound: Photographs of and about the New South, featuring works by various photographers. These artists present the American South in the twenty-first century through many different lenses, allowing for a glimpse, albeit incomplete and imperfect, of the “New South.” Our intern Anna shares how you can create your own postcards from the New South! READ WHOLE POST [+]
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