EDU BLOG ARCHIVES
Our fall intern Emily Coker comments on La Vaughn Belle's multi-media approach to her exhibition When the Land Meets the Body.
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College of Charleston students in Professor Mari N. Crabtree's course, Race, Violence, and Memory in American History visited our galleries to view La Vaughn Belle: When the Land Meets the Body. During their visit, they selected one or two pieces from the exhibit to analyze, bringing together the arresting art they saw on the gallery walls and the key concepts of the course: collective memory; collective trauma; archival silences; the relationship between race, gender, and power; wake work; and landscapes haunted by history.
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Our fall intern Elise Murphy browsed around in our reference library to find titles that reflect themes or aspects of the exhibition on view. Check out this post for a two books she discovered aligning with La Vaughn Belle's Swarm series, then come by the galleries to explore the library, and the exhibitions, for yourself!
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Our fall intern Sophie Weinberger reflects on personal impact and inspiration taken from La Vaughn Belle's series Every Island is an Effort at Memory.
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Our fall intern Myles Lemoine expands on the moment of creation, influences, and layered meanings behind La Vaughn Belle's series For Those of Us Who Live at the Shoreline.
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Our summer intern Katelynne reflects on the liminal space between virtual and reality within Carla Gannis / C.A.R.L.A. G.A.N.: wwwunderkammer and shares her experience attending Annex Dance Company's V3: A Dance Installation during Piccolo Spoleto Festival.
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