Erwin Redl’s current show at the Halsey, entitled Rational Exuberance, showcases his ability to transform spaces into living works of art. Redl’s work forces viewers to enter an exhibit and confront a familiar space in unfamiliar ways, which installations have strived to do for decades. READ WHOLE POST [+]
As I have spent time in the Halsey Institute’s main gallery with Erwin Redl’s Cubes installation the last three weeks, I have developed a stronger sense of how viewers react and interact with a piece such as this one. The work consists of three separate groupings, each made of sixteen cubes. The cubes are animated with fiber optics and white LEDs that alternate by blinking on and off, as the installation goes through its programmed sequence. Each group of sixteen cubes is placed in a different configuration on a unique platform. As you enter the large, darkened gallery space you will first be confronted with a circle of cubes, followed by a square and then a long rectangle that extends towards the back of the main gallery. READ WHOLE POST [+]
This exhibition comprises sculpture, installation, paintings, drawings, and sketchbooks that chart Aggie Zed's unique working methods in a variety of media. Born in Charleston and raised among farm animals on Sullivan's Island, South Carolina, Zed graduated from the University of South Carolina with a BFA in painting and sculpture. Shortly thereafter, she moved to Richmond and, later, Gordonsville, Virginia, where she lives and works today. READ WHOLE POST [+]
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