OTHER VIDEOS

  • 2014 Groundhog Day Benefit Concert
  • Aggie Zed: Keeper’s Keep
  • Ahead of the Wrecking Ball: A film on Ronald Ramsey
  • Art, Life & Politics: Shepard Fairey in Conversation with Mark Sloan
  • Awaken the Wall – Shepard Fairey Paints Murals in Charleston
  • Black Boiled Coffee & the Cacophony of Frogs – Evon Streetman
  • Bloodline
  • Bob Trotman: Business As Usual
  • Creature Comforts – Volker Seding
  • Diary of Dust: A Film on the Work of Jumaadi
  • Don ZanFagna: INFRA/ULTRA
  • Doug Beube: Re-Breaking the Codex
  • EMMETT STILL: A Short Film by Fahamu Pecou
  • Erwin Redl ART AS SYSTEM
  • Erwin Redl: Cubes (3×16)
  • ERWIN REDL: RATIONAL EXUBERANCE
  • Hunter’s Paradise Found – Kevin Kelly
  • I Can Heal
  • If Wishes Were Rivers – Jerome Meadows
  • Jiha Moon: Double Welcome, Most Everyone’s Mad Here
  • Joseph Burwell and Herb Parker
  • Jumaadi: forgive me not to miss you not
  • Labyrinth – Motoi Yamamoto
  • Leslie Wayne: Recent Work
  • Lonnie Holley at Eddie’s Attic
  • Memory Speaks – Tiebena Dagnogo
  • MiniMusuem – Richard McMahan
  • Moon v 11-11-11
  • Mr. Bonetangles performs at the Groundhog Day Benefit Concert
  • PAPER PLANE PEOPLE SHADOW TROUPE
  • Paper, Wood, Rope etc. – E.H. Sorrells-Adewale
  • Patricia Boinest Potter: Patterns of Place
  • Pentagram of Loss – Pinky/MM Bass & Renee’ Cheveallier
  • Pulse Dome Project Slide Montage
  • Return to the Sea: Saltworks by Motoi Yamamoto
  • Return to the Sea: Saltworks by Motoi Yamamoto (Dismantling Ceremony)
  • Return to the Sea: Saltworks by Motoi Yamamoto (Making of)
  • Set in Stone: Zen Garden Installation by Long-Bin Chen
  • Shadow Puppet Performance
  • Shepard Fairey by Brett Novak
  • Something to Take My Place: The Art of Lonnie Holley
  • State of the Arts
  • The Paternal Suit: Heirlooms from the F. Scott Hess Family Foundation
  • White Days Unswallowed – Bob Ray
  • Work V. Work N. – Aldwyth
  • ERWIN REDL: RATIONAL EXUBERANCE

    Director: John Reynolds
    Music: Bill Carson
    Runtime: 7 minutes

     
    The Halsey Institute commissioned acclaimed videographer John David Reynolds to create a mini-documentary about Erwin Redl for the exhibition Erwin Redl: Rational Exuberance. The video shows examples of additional projects by the Redl as he discusses his process, approach, and the philosophy behind his work. His works combine light and movement over time to produce a unique multi-sensory viewer experience.

    The title of this exhibition is a play on the famous phrase “irrational exuberance” used by former Federal Reserve Board chairman Alan Greenspan, in a speech to the American Enterprise Institute during the Dot-com bubble of the 1990s. In this case the title is the program. It refers to the artist’s strict methodologies which employ binary logic as well as tropes of minimalism to exuberant extremes. As demonstrated in his light installations and most recent kinetic works, a very restrained vocabulary due to the scale, repetition, and variations leads to a sense of deep corporeality. The meaning oscillates between the purely abstract and profound sensuality.

    ABOUT THE ARTIST

    Redl_headshotBorn in Austria in 1963, Erwin Redl finished his studies at the Vienna Music Academy with a BA in Composition (1990) and BA in Electronic Music (1991). He was awarded a Fulbright Scholarship for graduate studies in computer art at the School of Visual Arts, in NYC (MFA 1995). Redl investigates the process of “reverse engineering” by (re-)translating the abstract aesthetic language of virtual reality and 3D computer modeling into architectural environments by means of large-scale light installations.
     
    The artist’s work was featured in the 2002 Whitney Biennial by covering the Whitney Museum’s façade with three multicolor LED veils. In 2008, he created a sound and light installation for the Austrian Pavilion at the World Expo in Zaragoza, Spain. The Pacific Design Center’s new Red Building by Cesar Pelli features four permanent installations by the artist completed in 2013. Redl’s largest work to date is a computer-controlled, 580-foot-long-LED-installation at the Wexner Center for the Arts in Columbus, Ohio (completed in November 2010).
     
    His work is collected by prestigious national and international institutions, among them the Whitney Museum of American Art, New York; the Museum of Contemporary Art, San Diego; the Milwaukee Art Museum; and Borusan Contemporary, Istanbul; as well as by private collectors.

    ARTIST’S WEBSITE: www.paramedia.net

     

     

     


    Community Partners 2017